CALL FOR SUBMITTALS: PARADISE HERE

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We are curating a visual art exhibition to open on 27th Jan. 2020. “Paradise Here” is about our personal interior gardens, how we keep alive the things we care most about though they may be inaccessible in the day to day. The term “paradise” is open to personal interpretation, though submittals need to show originality and a highly personal approach. It is about how we rest, daydream and allow pleasure in our daily lives. The exhibition may travel internationally (Monte Carlo, Paris, Dubai).

MEDIUMS

Paintings, drawings, photography, sculpture and installation 

Video/Screen art is welcome though artist must provide electronics and set up. 1 outdoor painting can be commissioned by venue (to be done on a wall on the premises)

 

 

DATES

Deadline for submittals 1st Jan 2020 though we strongly recommend earlier submissions.

Exhibition to open week of 27th Jan. 2020 for 3 months approx. though works to be delivered to central London 17-21 Jan 2020.

 

VENUE

Works to be exhibited at a fashionable and upmarket London restaurant and private members’ club where many art collectors spend time. The clientele is international and affluent, providing potential scope for sales. Artists keep 60% of sale value. The venue hosts cultural events and talks at the private members club so artists with a desire to participate in these may be able to do so.

 

Please note the venue can not exhibit any nudity.

 

TO APPLY

There is no fee to apply. Send image files (<5MB) IN JPG format to 

ASMAA@BABYLON-ART.COM with artist name and title of piece in file name.

Also include a Word or Excel doc. with a thumbnail image of each work you submit, your name, medium, dimensions, price or ‘not for sale’ and website.

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Browse the exhibition catalogue of the 'In Between' Art Exhibition at Saatchi Gallery Education

https://issuu.com/asmaaalanbari/docs/inbetweencatalogue20160928-brief

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Curation: "the art of integrating art works in the space they live in"

 'Thread of Light' Art Exhibition: 

This exhibition was born from the need to tell a story focused on the lives and creativity of the people of the Middle East... by showcasing the talent of emerging and established artists. We looked for a highly individual, subtle voice commenting on what is happening in the region today. We brought together established artists such as Hassan Hajjaj, Hanaa Malallah and Kennardphillips with more emerging artists, in translating this concept over 300m2 at the P21 Gallery London.

In providing a window to these creative minds the exhibition succeeded in providing an alternative image and story to how the region is often stereotyped by the media and Hollywood.

Special thanks to Joud Tamimi Halawani for her valuable assistance.

left to right: 'Moments of Expulsion' ©Jo Scorah, 'Material Matters' ©Ozlem Demirel, 'Eve with a Pencil' ©Asmaa Alanbari

left to right: 'Moments of Expulsion' ©Jo Scorah, 'Material Matters' ©Ozlem Demirel, 'Eve with a Pencil' ©Asmaa Alanbari

'Foreign Bodies' ©Souheil Sleiman (front) address environmental problems as well as the ongoing refugee crisis. The plastic bags seemingly abandoned at sea come alive by inflating and deflating throughout the day, in consequence with changes in ambi…

'Foreign Bodies' ©Souheil Sleiman (front) address environmental problems as well as the ongoing refugee crisis. The plastic bags seemingly abandoned at sea come alive by inflating and deflating throughout the day, in consequence with changes in ambient temperature.

from 'Le Salon' series ©Hassan Hajjaj

from 'Le Salon' series ©Hassan Hajjaj

close up view of 'Moments of Expulsion' installation © Jo Scorah

close up view of 'Moments of Expulsion' installation © Jo Scorah

'Draw Me Close' © Dia Batal (left installation) and 'Not in My Name' ©Asmaa Alanbari (right)

'Draw Me Close' © Dia Batal (left installation) and 'Not in My Name' ©Asmaa Alanbari (right)

This space made up of stairs and a ramp initially appeared difficult to use. It became interesting as the steps were treated as a small scale theatre showing the 'Transcend Boundaries' video projection © Helen Kirwan. The high wall visible from both…

This space made up of stairs and a ramp initially appeared difficult to use. It became interesting as the steps were treated as a small scale theatre showing the 'Transcend Boundaries' video projection © Helen Kirwan. The high wall visible from both floors hosted the installation 'Draw Me Close' © Dia Batal

video projection of 'Drone and Ziggurat of Ur' ©Hanaa Malallah

video projection of 'Drone and Ziggurat of Ur' ©Hanaa Malallah

Exhibition entrance

Exhibition entrance

foreground installation: 'Playing on the Beach is a Dangerous Discourse' ©Dia Batalbackground wall: left to right: ‘Eve with Pencil' ©Asmaa Alanbari, 'Sayed' and 'Badr' ©Estabrak Al Ansari

foreground installation: 'Playing on the Beach is a Dangerous Discourse' ©Dia Batal

background wall: left to right: ‘Eve with Pencil' ©Asmaa Alanbari, 'Sayed' and 'Badr' ©Estabrak Al Ansari

Low lying objects and installations optimise a room with low ceiling height, and vertical objects can be used to suggest an itinerary to visitors. Transparent walls carry the eye out of the room towards the next piece (Moments of Expulsion © Jo Scor…

Low lying objects and installations optimise a room with low ceiling height, and vertical objects can be used to suggest an itinerary to visitors. Transparent walls carry the eye out of the room towards the next piece (Moments of Expulsion © Jo Scorah. 'This is Not a Table' © Dia Batal (foreground), 'Foreign Bodies' © Souheil Sleiman (central floor installation)

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Gender Politics: Curation of the "Fantasmaa" show at Chelsea College of Art

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The interpretation of a Babylonian myth about Ishtar into a contemporary visual itinerary of sound, painting and installation

Contemporary issues are infused into this ancient myth, which the visitor comes across in unexpected places.

Contemporary issues are infused into this ancient myth, which the visitor comes across in unexpected places.

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